Real Estates explores property and ownership in neoliberal debt economies, Bedford Press, 2014
From a series of artworks on contemporary life and domesticity, for Home Economics in 2016
Alyx (Matthew Williams) brand renewal (more), 2018
Deep Adaptation: Architectural Association master's design unit on climate crisis and domesticity, 2018-21
Home Economics catalogue, published by REAL in 2016
Real Review collaborated with Virgil on "Against from Within" in 2018
Mies in London is the first book on Mies' only UK project, 2018
Real Review x Junya Watanbe on "what it means to live today", 2019
Our Land is a monument to Brexit, for a Eurostar competition. A 28m column is made from earth gathered in the 28 EU countries. National soil is layered alphabetically. 2nd prize
Symbolic Exchange, a book about the sharing economy and art value, 2017
From a series of artworks on contemporary life and domesticity, for Home Economics
Reflections on contemporary life in a photoshoot for Fantastic Man
Alyx (Matthew Williams) brand renewal (more), 2018
Real Review x Junya Watanbe, a review of 2011-2020 on a shirt
Real Review at the Design of the Year Awards, Design Museum, in 2017
Every visitor to Face Value received a coin worth one person-hour.
Probably the case. From an interview with Dezeen on the future of housing.
Real Review 4 explored what it means to love today
Real Review feature on screencast capitalistm in 2018
Campos is a campaign on prisons and freedom for ETH Zurich, 2021
The Big Flat Now cover feature for 032c on power in the third millennium
Real Review 10 explored the New Renaissance with Pope Francis in 2020
Fulcrum was a weekly publication at the Architectural Association, 2011–2014
Ancient Lights was a cohousing proposal for a Royal Academy exhibition in 2019
REAL worked with Izé to recreate a Mies-designed handle. Brass prototype, 2018
Real Review 3 explored the mood of Global Civil War
Alyx (Matthew Williams) brand renewal (more), 2018
From a series of artworks on contemporary life and domesticity, for Home Economics
Civic Supply was an alternatively-owned cohousing model for the GLA's Small Sites programme, 2018
Reflections on contemporary life in a photoshoot for Fantastic Man
Campos is a campaign on prisons and freedom for ETH Zurich, 2021
Real Review 2 explored the mood of Historical Deja Vu
From a series of artworks on contemporary life and domesticity, for Home Economics
Ancient Lights was a cohousing proposal for a Royal Academy exhibition in 2019
Speaking outside the Home Office on climate crisis and architecture, in support of XR
Real Review 11 explored the mood of What to Believe
Real Review feature on Nostalgic Futures in 2018
Real Review 10 explored the New Renaissance with Pope Francis
Fulcrum was a weekly publication at the Architectural Association, 2011–2014
©Benjamin Huseby / Fantastic Man
Face Value is a coin-based, decentralised timebank in Vienna, 2021
A non-gendered, ageless, communal wardrobe (in collaboration with JW Anderson). Home Economics was the British Pavilion at the Venice Biennale in 2016
Mies in London is the first book on Mies van der Rohe's only UK project, Mansion House. It Published by REAL in 2018
Home Economics (2016 Venice Biennale British Pavilion) was the first exhibition ever to design new housing based on its time of occupation: hours, days, months, years and decades
Acid House is an English off-grid, carbon-positive housing model, exhibited at the 2020 Milan Triennale
We are living through one of humanity’s most chaotic periods. The Exceptional House is future-proofed against uncertainty. Mexico, 2020
Mean Home was an exhibition at the British School at Rome in 2019 comparing the average Italian and British homes
Empire Hotel is a 2015 project for a members-owned housing group, aimed at the international, non-domiciled creative classes
At high speed, retreat and advance are identical
Common Stock is a postfunctional collective housing model designed in 2016 with Arup and the Halifax Group
Mean Home at the British School at Rome in 2019, exhibition installation
The Exceptional House is designed to adapt to many family structures, forms of life and climatic conditions. Mexico, 2020
Acid House is an English off-grid, carbon-positive housing model, exhibited at the 2020 Milan Triennale
Lux Aeterna is an artist's summer house concept for the Royal Academy from 2018
Mean Home, at the British School at Rome in 2019
Civic Supply was an alternatively-owned cohousing model for the GLA's Small Sites programme, with TfL, in 2018
Exceptional House, Mexico 2020
Home Economics was the 2016 British Pavilion at the Venice Biennale
Home Economics was the 2016 British Pavilion at the Venice Biennale
The Ingot is a gold-plated, bond-funded, housing concept with PricewaterhouseCoopers, 2013
Real Review 6 "Just-in-Time" explored what it means to live in an on-demand society
Covilla is a rural cohousing proposal for the Waikato in NZ from 2019
Glass House is a cooperatively-funded cohousing model, exhibited at the 2017 Chicago Biennial
Home Economics was the 2016 British Pavilion at the Venice Biennale
Mean Home, at the British School at Rome in 2019
Covilla is a rural cohousing proposal for the Waikato in NZ from 2019
Acid House is an English off-grid, carbon-positive housing model, exhibited at the 2020 Milan Triennale
Default Grey is housing for non-nuclear family types. The project has been shown at the Tate Britain and Maxxi in Rome, 2014
Identity and exhibition design for "Breathless: London Art Now" at Ca'Pesaro, Venice 2019
Erasing hierarchy and ego by listing all persons alphabetically and without titles.
Glass House is a cooperatively-funded cohousing model, exhibited at the 2017 Chicago Biennial
Civic Supply was an alternatively-owned cohousing model for the GLA's Small Sites programme in 2018
What makes a home for decades fundamentally different from a home for months?
Our Land is a monument to Brexit, for a Eurostar competition. A 28m column is made from earth gathered in the 28 EU countries. National soil is layered alphabetically. 2nd prize
Multitude explored isolation and domestic space, Lodckdown 2020
The visitors to Face Value generated a decentralised time bank, 2021
Home Economics was the 2016 British Pavilion at the Venice Biennale
Home Economics, Venice 2016
Glass House is a cooperatively-funded cohousing model, exhibited at the 2017 Chicago Biennial
3D printed Brancusi Muse, Lockdown 2020